Early Islamic art (Umayyad and Abbasid)
Inscriptions, ornament and arches instead of images: a space of prayer with no depiction of God
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How to recognise it
- Arabic inscriptions as the main decoration
- Endless vegetal arabesque patterns
- Horseshoe and pointed arches
- Arcaded courtyard before the prayer hall
- Minaret tower beside the mosque
Why it emerged
The new caliphs set out to stamp Islam on former Byzantine and Persian lands: they hired local craftsmen but avoided figures in sacred spaces, so word and pattern became the main language of art.
Examples
Dome of the Rockc. 688–692Oldest major Islamic monument: an octagon with a golden dome and a 240 m inscription
Umayyad Mosque706–715Set the congregational mosque template — courtyard, wide hall, minaret; mosaics show gardens of paradise
Great Mosque of Kairouanc. 836Oldest mosque of the Maghreb; its square minaret became the model across North Africa
Great Mosque of Samarra848–851Famed for its 52 m spiral Malwiya minaret; once the largest mosque in the world
Mosque of Ibn Tulun876–879Cairo's oldest mosque in its original form: pointed arches and Samarra-style stuccoMore in this style
- c. 730 Qusayr 'Amra
How it spread
- 661 Damascus
- 670 Kairouan
- 691 Jerusalem
- 762 Baghdad
- 785 Córdoba
- 836 Samarra
- 876 Cairo (al-Qata'i)
Meanwhile elsewhere
- Classic Maya art Americas
- Byzantine art Europe
- Insular art (Ireland and Britain) Europe
- Moorish style (al-Andalus) Europe
- Khmer art of Angkor Asia
- Yamato-e, Heian Japanese painting Asia
- Song landscape painting Asia
- Pre-Mongol architecture of Rus Eastern Europe & Russia
- Romanesque Europe
- Ife and Benin bronzes Africa
- Gothic Europe
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