Ancient Egyptian art
Art for eternity: a strict canon of proportion, frontal poses, stone meant to last millennia

How to recognise it
- Shoulders frontal, head and legs in profile
- Figures laid out on a canonical grid
- Statues striding left foot forward
- Hieroglyphs woven into the image
- Pyramids, pylons and papyrus columns
Why it emerged
Pharaohs were gods and tombs were houses for eternal life, so images had to stand in for the body and offerings. A unified Nile state kept temple workshops running for millennia, and the canon barely changed.
Examples
Narmer Palettec. 3100 BCA king smiting a foe: Egyptian pose and canon already fully formed
Pyramid of Djoserc. 2670 BC · ImhotepThe first pyramid and the oldest large stone building — six steps high
Great Pyramid of Gizac. 2580 BC–2560 BC146 m — the world's tallest building for ~4,000 years; the last surviving Wonder
Nefertiti Bustc. 1345 BC · ThutmoseFrom Thutmose's Amarna workshop: a brief break from canon towards a living portrait
Mask of Tutankhamunc. 1323 BCGold, lapis and glass; found in 1925 — the face of 20th-century EgyptomaniaMore in this style
- c. 1550 BC Book of the Dead
- c. 1264 BC–1244 BC Abu Simbel temples
Meanwhile elsewhere
- Megaliths Europe
- Mesopotamian art Middle East
- Aegean art Europe
- Shang and Zhou bronzes Asia
- Olmec art Americas
- Nok terracottas Africa
- Ancient Greek art: Archaic and Classical Europe
- Scythian animal style Eastern Europe & Russia
- Hellenistic art Europe
- Ancient Roman art Europe
- Gandhara art Asia