Postmodernism
Irony and quotation instead of one truth: columns, pediments and games with the viewer

How to recognise it
- Classical pediment or column, cartoonishly simplified
- Bright colours on the facade instead of white and glass
- Cut-off arches and deliberately fake ornament
- Texts that talk to the reader about themselves
Why it emerged
By the 1960s identical glass boxes and failed mass housing had eroded faith in modernism. Robert Venturi replied 'Less is a bore', and architects and writers brought back history, local colour and play — without believing in one correct style.
Examples
Portland Building1980–1982 · Michael GravesA 'gift-box' city office with giant pilasters, the first major postmodern office tower
AT&T Building (550 Madison Avenue)1978–1984 · Philip Johnson, John BurgeeA skyscraper topped by a Chippendale-style broken pediment, by the co-designer of SeagramPiazza d'Italiac. 1976–1978 · Charles MooreA plaza of neon-lit steel columns and an Italy-shaped fountain: classicism as stage set
Neue Staatsgalerie, Stuttgart1979–1984 · James Stirling, Michael WilfordA Schinkel-like stone rotunda beside pink and blue steel railings: Europe's postmodern landmarkMore in this style
- c. 1979 If on a winter's night a traveler — Italo Calvino
How it spread
- 1966 Philadelphia
- 1978 New Orleans
- 1980 Venice
- 1982 Portland
- 1984 New York
- 1984 Stuttgart
Meanwhile elsewhere
- Modern architecture (International Style) Whole world
- Socialist realism Eastern Europe & Russia
- Pop art Americas
- Western Desert dot painting Oceania