Mughal Art
Persian garden, Timurid dome and Indian stone: paradise symmetry in white marble and red sandstone

How to recognise it
- Bulbous dome on a tall drum
- Red sandstone inlaid with white marble
- Charbagh garden quartered by water channels
- Pietra dura inlay of coloured stones
- Miniatures with true portraits and fine landscape
Why it emerged
Timur's descendants brought Persian court culture and a love of gardens to India, and Humayun returned from Iran with miniature painters. Akbar and his heirs merged this with local Rajput workshops to assert a Muslim dynasty's rule over a religiously diverse land.
Examples
Humayun's Tombc. 1565–1572 · Mirak Mirza GhiyasIndia's first garden tomb with a double dome in a charbagh, the prototype of the Taj Mahal
Hamzanamac. 1562–1577 · Mir Sayyid Ali, Abd al-Samad and Akbar's workshopAbout 1,400 large paintings on cloth: the project that forged the Mughal miniature school
Fatehpur Sikric. 1571–1585Akbar's red sandstone capital blending Hindu and Islamic forms; abandoned after about 15 years
Taj Mahal1632–1653 · Ustad Ahmad LahauriMumtaz Mahal's tomb, peak of the Mughal synthesis: white marble, pietra dura, perfect symmetry
Red Fort1639–1648 · Ustad Ahmad LahauriShah Jahan's palace-fortress; India's prime minister speaks from its ramparts every Independence DayMore in this style
- 1671–1673 Badshahi Mosque
Meanwhile elsewhere
- Ife and Benin bronzes Africa
- Persian miniature Middle East
- Ming and Qing Porcelain Asia
- Italian Renaissance Europe
- Northern Renaissance Europe
- Inca Architecture Americas
- Classical Ottoman Architecture (Sinan) Middle East
- Mannerism Europe
- Tented Churches Eastern Europe & Russia
- Baroque Europe
- Dutch Golden Age Painting Europe
- Latin American Baroque Americas
- Ukiyo-e Asia
- Naryshkin Baroque Eastern Europe & Russia
- Rococo Europe
- Elizabethan Baroque Eastern Europe & Russia