Northern Renaissance
Oil paint and a magnifying eye: the world as an endless sum of exact, symbol-laden things

How to recognise it
- Glowing translucent oil glazes
- Microscopic rendering of cloth, fur, metal
- Everyday objects with hidden symbolism
- Portraits with real, unidealised faces
- Landscape seen through a window or far off
Why it emerged
The rich trading towns of Flanders and the Burgundian court commissioned altarpieces and portraits, and the oil technique perfected by van Eyck could capture sheen and texture. Later, printmaking and the Reformation shifted attention from altars to portraits, landscape and daily life.
Examples
Ghent Altarpiece1432 · Hubert and Jan van EyckA manifesto of oil painting: 24 panels of unheard-of detail; the most stolen artwork ever
Arnolfini Portrait1434 · Jan van EyckOne of the first full-length double portraits in a room; the painter appears in the convex mirror
The Garden of Earthly Delightsc. 1500 · Hieronymus BoschA fantastical triptych from Eden to Hell; the Surrealists hailed Bosch as a forerunner
The Ambassadors1533 · Hans Holbein the YoungerAn anamorphic skull legible only from the side: painting's most famous optical puzzle
The Hunters in the Snow1565 · Pieter Bruegel the ElderFrom the Seasons cycle: peasant winter as a full subject; quoted in Tarkovsky's SolarisMore in this style
- 1500 Self-Portrait at Twenty-Eight — Albrecht Dürer
Meanwhile elsewhere
- Byzantine art Europe
- Moorish style (al-Andalus) Europe
- Ife and Benin bronzes Africa
- Gothic Europe
- Persian miniature Middle East
- Aztec Art Americas
- Ming and Qing Porcelain Asia
- Russian Icon Painting: Theophanes, Rublev, Dionisius Eastern Europe & Russia
- Italian Renaissance Europe
- Inca Architecture Americas
- Classical Ottoman Architecture (Sinan) Middle East
- Mannerism Europe
- Mughal Art Asia
- Tented Churches Eastern Europe & Russia