Italian Renaissance
Antiquity measured anew: linear perspective, anatomy and proportion as the measure of man

How to recognise it
- One-point linear perspective
- Anatomically correct nude bodies
- Classical orders, arches and domes
- Balanced pyramidal compositions
- Soft modelling and sfumato
Why it emerged
Wealthy merchant republics and families such as the Medici competed through patronage while humanists recovered and translated ancient texts. Study of Roman ruins and the mathematics of perspective gave artists the tools to show the world as the eye sees it.
Examples
Dome of Florence Cathedral1420–1436 · Filippo BrunelleschiThe largest masonry dome since Rome, built without centring as a double shell
The Birth of Venusc. 1485 · Sandro BotticelliAmong the first large paintings since antiquity of a nude pagan goddess
Mona Lisac. 1503–1519 · Leonardo da VinciIts sfumato and three-quarter pose set the standard for portraiture for centuries
David1501–1504 · Michelangelo BuonarrotiA 5-metre hero carved from an abandoned block became the emblem of the Florentine Republic
Sistine Chapel ceiling1508–1512 · Michelangelo BuonarrotiOver 300 figures in four years; the Creation of Adam became art's most famous gestureMore in this style
- 1509–1511 The School of Athens — Raphael
- c. 1562 Pope Marcellus Mass — Giovanni Pierluigi da Palestrina
How it spread
- 1419 Florence
- 1475 Moscow
- 1503 Rome
- 1507 Kraków
- 1519 Chambord
- 1527 Granada
Meanwhile elsewhere
- Byzantine art Europe
- Moorish style (al-Andalus) Europe
- Ife and Benin bronzes Africa
- Gothic Europe
- Persian miniature Middle East
- Aztec Art Americas
- Ming and Qing Porcelain Asia
- Russian Icon Painting: Theophanes, Rublev, Dionisius Eastern Europe & Russia
- Northern Renaissance Europe
- Inca Architecture Americas
- Classical Ottoman Architecture (Sinan) Middle East
- Mannerism Europe
- Mughal Art Asia
- Tented Churches Eastern Europe & Russia
- Baroque Europe
- Dutch Golden Age Painting Europe
Wikipedia (Russian) · Wikipedia (English)
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