Suprematist Composition: White on White

Painting · 1918 · Moscow · Eastern Europe & Russia

Suprematism at its limit: a tilted white square nearly dissolving into a white field

Author: Kazimir Malevich
Style: Russian avant-garde — Dropping depiction for pure form, colour and invented language: art as a new reality of its own
Century: 20th century

Made around the same time (±30 years)

1915 Black Square — Kazimir Malevich · Russian avant-garde · Moscow
1922–1931 Christ the Redeemer — Paul Landowski, Heitor da Silva Costa · Art Deco · Corcovado, Rio de Janeiro
1928–1930 Chrysler Building — William Van Alen · Art Deco · New York
1928–1931 Villa Savoye — Le Corbusier, Pierre Jeanneret · Modern architecture (International Style) · Poissy, near Paris
1907–1908 The Kiss — Gustav Klimt · Art Nouveau · Vienna
1907 Les Demoiselles d'Avignon — Pablo Picasso · Cubism · Paris, Bateau-Lavoir
1931 The Persistence of Memory — Salvador Dalí · Surrealism · Portlligat, Catalonia
1893 The Scream — Edvard Munch · Expressionism · Kristiania (Oslo)